I’ve been pondering the topic for my
paper for a week now, and on Sunday, over lunch in a slightly disappointing
Indian restaurant (never drink salt Lassi!) I mentioned the idea to two of the
smartest people I know (one of whom is an almost purely online friend – this is
only the second time I’ve seen him this year and it was for his birthday and
the first time was for my birthday, so go figure). But before I get ahead of myself, here’s the
idea:
Identity
has become another social product. It is
a conscious, strategic construct, an often narcissistic representative text,
and it can be changed hourly, to coincide with whatever is required in a
specific online milieu. People had private journals: now they have public
blogs. Nothing is sacred. Everything is
exposed for general scrutiny, trivialised, and forgotten so very quickly. Which
leads me to the matter of impermanence, a particularly fascinating issue for
me. In the past, ephemera were often
kept, for their value as keepsakes: love letters were squirreled away in secret
places, and ticket stubs and invitations to events made their way into
scrapbooks. Photographs were showcased
in albums with thoughtful and amusing captions.
People bought CDs (only after careful thought and consideration, because
they weren’t cheap) with beautiful inserts, the lyrics included, and listened
to the songs for years after their purchase.
They subscribed to magazines, like National
Geographic or Reader’s Digest,
and kept all the back issues. Essentially, memories were cherished, embodied in
small items, inconsequential at face value.
Those are things
that I did, anyway, and for me, things seem very different now. Almost
everything seems ‘more’: more options, more disposable, more available, more
current, but not more quality or more
memorable. Few people bother to print photographs – it is possible to take so
many and store them all digitally.
No-one writes letters any more, most invitations are e-mailed or posted
on Facebook, and inboxes need to be kept tidy and free of clutter. Tickets for
films and shows, even flights and holidays, are all booked online. Our memories are out of place, disembodied
and disoriented, and ultimately, weaker and less meaningful. David Gray and Jade Petermon agree with this,
in ‘Memory, Space, Media’ (2012) but they also show how media can be used to
create a storehouse of collective memories which were previously scattered and
unacknowledged.
At face
value, this change does not seem particularly meaningful, but it may well be a
symptom of a deeper malaise: the 21st century disease of sensory
overload, excessive communication without satisfaction, of loneliness despite a
permanent lack of total privacy and solitude.
So this leads to two problems: are social media making us lonely, and is the
loss of embodiment (i.e. the tendency towards digital memories) something worth
worrying about? My super-intelligent
friends seem to think not. They think
it’s no big deal, that we can archive better than before, and that the medium
for the archiving does not affect the meaning of the content. For them, it’s
like the difference between DVDs and Blu-Ray. I’m not so sure though, and I
won’t be until I’ve done a lot more reading on the topic. From what I’ve come across so far in a 2010
article by Lea Schick and Lone Malmborg called ‘Bodies, Embodiment and
Ubiquitous Computing’, my friends seem to have the right idea in some
respects. Disembodiment allows us the
potential to use technology in truly pervasive yet non-intrusive ways. We can let it become as natural as getting
dressed, and it allows us the potential to be so much more than we are right
now.
BUT we’re not there yet, and I don’t
care what any wise-ass says: look at a picture of your old Grade 1
classroom. Connect with your old teacher
and classmates on facebook. And then,
get hold of a copy of your old Grade 1 reader: smell it, see Jack run, feel the
thickness of the paper. And tell me which version – embodied or disembodied –
affects you most.
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